Page 93 - Metropolis Megazine No.120 International
P. 93

sing sing                                         a complete unknow


            The Story:  Divine G, imprisoned in Sing Sing for a  The Story:  New York, 1961. Against the backdrop
            crime he didn't commit, finds purpose by performing  of a vibrant music scene and the cultural turmoil of
            in a theatre group alongside other incarcerated men,  the  time, an  enigmatic  19-year-old  from Minnesota
            including the suspicious newcomer, in this moving true  arrives in the city with his guitar and a revolutionary
            story of resistance, humanity, and the life-changing  talent, destined to change the course of American
            power of art, with a cast that includes an unforgettable  music.
            ensemble of ex-convict actors.
                                                              Rui Pedro Tendinha wrote:  "The film gains
            Tatiana Henriques wrote:  "The film shows what  immensely from not wanting to be intrusive or trivial
            prisoners can do from there, not what got them there. It's  in its exploration of the musician's most intimate side,
            a very sensitive script, enhanced by Greg Kwedar's careful  even when it turns the process of musical creation into
            direction, which exalts the humanity of the stories told—  a treatise on intimacy, with Dylan jumping out of bed
            the filmmaker is also one of the screenwriters. [...]    without a shower or brushing his teeth and inventing
            The film blurs the lines between reality and fiction,  one of the most beautiful songs in history... The film
            tracing a path of redemption through art and shared  accurately transmutes iconography while consistently
            experiences. «Sing Sing» is inspiring without forcing it,  honouring the songs' immense significance. In this
            based on the strength of its story. This approach involves  sense, it's a film that asks us to enter into the sound of
            the viewer, inviting them to engage with the play as well."  music (not just Dylan's, but also Baez's and Seeger's).






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