Page 89 - Metropolis Megazine No.120 International
P. 89

i'm still here                                    the brutalist


            The  Story:  Rio  de  Janeiro, 70s. Brazil is  facing the  The Story: When a visionary architect and his wife
            increasing harshness of a military dictatorship. A  flee post-war Europe in 1947 to rebuild his legacy and
            violent and arbitrary act by the military government  witness the birth of the modern United States, their
            forces Eunice Paiva, a mother of five, to reinvent her  lives are changed forever by a mysterious and wealthy
            life.                                             client...

            Sara Afonso wrote: "Salles' invitation is to enter the  João Garção Borges  wrote: "In fact, there will
            life of a family that one day is only concerned with  often be a confrontation between the intellectual
            day-to-day issues, the typical fights between siblings,  superiority of a “poor” immigrant (who nevertheless
            and life's little pleasures, and the next has to mourn,  possesses greater wealth in his training and avant-
            in its own time and at its own pace, and get back on its  garde positioning) and the narrow and much more
            feet, accepting that we control nothing except how we  conservative perception of reality on the part of his
            get back on our feet. Fernanda Torres and Fernanda  wealthy interlocutors. These differences between
            Montenegro play Eunice at two different moments,  European refinement, made here and beyond with
            and it is also this  generational reunion  that shakes  many sacrifices, and the practical side of economics
            us up and lulls us emotionally, allowing ‘Ainda Estou  and profit in the American way, which requires
            Aqui’ to stay with us for longer."                abandoning bolder solutions in favour of more









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