Page 95 - Metropolis Megazine No.120 International
P. 95

PHOTO BY PABLO LARRAÍN/NETFLIX - © 2024 NETFLIX, INC.



















            sinners                                           maria


            The Story: In an attempt to leave their troubled lives  The Story:  Maria Callas, the world's greatest opera
            behind, two twin brothers return to their hometown  singer,  lives  the  last  days  of  her  life  in  Paris in  the
            to start over, only to discover that an even greater evil  1970s while confronting her identity and her life.
            is waiting to welcome them back.
                                                              Tatiana Henriques wrote: "At one point in the
            Inês N. Lourenço wrote: "Music then insinuates  film, one of the characters asks the singer, ‘Should
            itself as the angle of ‘Sinners’: both on the soundtrack  I call her Maria or La Diva?’. This may also have
            and in the narrative, it shows signs of dominance,  been the question Pablo Larraín asked himself when
            controls the ‘choreography’ of the characters, and  he took on the challenge of bringing Callas' life to
            echoes the lament of slave labour in the cotton fields.  the big screen. The film's title and the filmmaker's
            The blues is a Black song, a sound inseparable from  portrayal of a major figure in music reveal the answer.
            suffering. But it turns out that the new film by the  Larraín explores Maria's struggle and the symbiotic
            director of «Creed» and «Black Panther» doesn't stop  relationship, throughout her life, with her voice,
            at the sonic exploration of an inheritance: the first  an inseparable part of her identity. [...]What is a
            part, of the preparation for the big night, is matched  singer without the power of her voice? Diving into
            by a second part of terror with drool, sharp teeth, and  this premise and exploring Maria's inner struggle is
            little red eyes in the dark. The devil and the Ku Klux  a shrewd perspective that results in a solid piece of
            Klan unite in a portrayal of evil, fulfilling the story's  work, supported by excellent photography by Edward
            political metaphor (it's true that in this America, one  Lachman, which contributes to the mystery that is
            must remain politically vigilant)."               also imbued in Maria Callas' own personality."




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