Page 124 - Metropolis Megazine No.120 International
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THE INSTITUTE








                                             «The Institute» arrives on strea-  it loses all ethical boundaries.
                                             ming  with  an  ambitious  challen-
                HBO Max has premiered        ge: to adapt one of Stephen King's   The plot itself is chilling. Children
                  «The Institute», an        most recent works, where psycho-  with telepathic or telekinetic abi-
                 adaptation of Stephen       logical horror is mixed with bi-  lities are kidnapped and taken  to
                King's novel that follows    ting social criticism. The series is   an isolated facility, where they are
                 children with psychic       presented as a dark thriller about   no longer treated as people but be-
                powers imprisoned by a       the  kidnapping  of  children  with   come pieces in a silent machine.
                secret organisation. The     psychic  abilities,  who  are  held  in   They lose their names, their righ-
               series explores the limits    a clandestine centre under ab-   ts, and even contact with the out-
                 of scientific authority     solute surveillance and control.   side world. The facility is operated
                  and the struggle for       But what could be just another   by an organisation that presents
                 individual autonomy.        science  fiction  narrative  quickly   itself as indispensable for global
                                             turns into an uncomfortable re-  stability but whose methods reveal
                    SARA QUELHAS             flection on destroyed innocence,   systematic cruelty disguised as ra-
                                             unchecked power, and the limits   tionality. It is through Luke Ellis,
                                             of  science  (and  authority)  when   played by Joe Freeman, that we en-




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