Page 119 - Metropolis Megazine No.120 International
P. 119

WHEN MEMORY BECOMES A CITY
                                                       FILMIN


            Although «Blossoms Shanghai»     of atmospheres, encounters, and   tructs about their own past.
            can be considered a historical   missed encounters. He is simul-
            drama or a character study, it is,   taneously a self-made man and   With its poetic cadence, fragmen-
            above all, a meditation on identi-  a tragic survivor, a manipulator   ted structure, and obsession with
            ty (individual and collective) and   and a victim, the protagonist of   the past, «Blossoms of Shanghai»
            how places become ingrained in   an impossible rise, and a symbol   will especially appeal to fans of
            people. Shanghai is portrayed    of a city that no longer recognises   auteur cinema, introspective dra-
            here not just as a backdrop but   itself.                         mas, and historical portraits that
            as a protagonist in its own right:                                prioritise atmosphere over action.
            changeable, seductive, and full of   If «In the Mood for Love» (2000)
            secrets. Wong Kar-Wai films it as   was a study of  restrained desi-  More than a series, «Blossoms
            one would film an old love: with   re and the impossibility of con-  Shanghai» is a visual elegy on the
            reverence, heartbreak, and a cer-  summating  love  at  the  wrong   transience of memory, identity,
            tain distance.                   time, and if «2046» (2004) stood   and desire. Wong Kar-Wai, true
                                             as a futuristic lament where     to his unique language, creates a
            Wong Kar-Wai's direction remains   memory became a prison, then   monumental work that is deeply
            faithful to  his aesthetic univer-  «Blossoms Shanghai» operates   emotional and formally rigorous.
            se, while the fragmented editing   as a kind of synthesis and ex-  In an increasingly fast-paced wor-
            reinforces the wandering nature   pansion: affection is no longer   ld, this series invites us to pause,
            of the narrative. Instead of a tra-  just personal but  intertwines   listen to what has been lost, and
            ditional rise and fall arc, Ah Bao's   with  the  city,  with  the  promise   recognise that sometimes the tru-
            contradictory layers are gradually   of a better future, and with the   th lies less in the facts and more in
            revealed through an accumulation   fiction that each person cons-  how we remember it.


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