Page 97 - Metropolis Magazine nº99
P. 97

TV CINE FEST














































                                                                                                                      ©SEE-SAW FILMS.





            THE STRANGER








            «The Stranger» is another good example of the vi-  police officer. This is an atmospheric film, and des-
            brant Australian production in recent years. Joel  pite its subject matter, it is not violent and always
            Edgerton and Sean Harris play the lead roles in the  wanders between the borderline of detective and the
            Thomas M. Wright-directed film. Joel Edgerton was  psychological weight of events on its protagonists.
            one of the main driving forces behind this film, ins-  The film is essentially underpinned by the two solid
            pired by the book "The Sting: The Undercover Ope-  performances of Joel Edgerton and Sean Harris, the
            ration that Caught Daniel Morcombe's Killer" The  latter of whom immerses his body and soul in his
            narrative of this film focuses on the portrait of a  character. Thomas M. Wright's directing has trans-
            criminal and the massive manhunt that ensued in  formed «The Stranger» into a dramatic thriller with
            Australia. Viewers are thrown headlong into this  a different and unusual tone, preferring to analyse
            dramatic thriller, on the trail of the paedophile who  its characters in a visually and emotionally intense
            is trying to disappear from the map. His interme-  atmosphere in the miraculous unravelling of a real
            diary in the criminal organisation is an undercover  crime. JORGE PINTO









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