Page 143 - Metropolis Megazine No.120 International
P. 143

comes from series such as «House», «WandaVision»   the flames of the Human Torch—the best the
            and «Game of Thrones», has done justice to the    cinema has ever seen. Finally, with his wounded
            family that served as a publishing pillar for     beast look, Ebon Moss-Bachrach translates the
            Marvel and inaugurated a style of comics attuned   restlessness of Ben Grimm, the Thing, into the
            to the cultural conflicts of its time—especially   pain of not belonging, and his war cry is still
            racial intolerance. The art direction he uses is   there: ‘It's clobberin' time!’.
            of a temperate colour and of fine precision, with
            special care in the use of the colour blue, used in   At the same time as talking to Norman Rockwell's
            the heroes' uniforms. The plot is in line with the   (1894-1978) painting, the production refers to
            cinematic tradition of ‘catastrophe films,’ since   Marvel's ‘comic book’ colouring in its art direction.
            there is no fight against evil, as is usually the   The album ‘Parable,’ by Stan Lee and Moebius
            case, but rather against the extinction of earthly   (1938-2012), is even explicitly mentioned when
            geography.                                        it reveals the image of Galactus, the Devourer
                                                              of Worlds. He's not a villain. He is an entity that
            What is vintage in form can also be seen in the   accelerates the entropy of planets condemned to
            design of the characters, made by a cast in a state   disappearance by the rules of the galaxies. His
            of grace—and in full covalence of talents. Pedro   herald, Shalla-Bal (Julia Garner), is the one who
            Pascal is Reed Richards (or Mister Fantastic)     will help him on his predatory path against Earth,
            with a Rock Hudson air. Vanessa Kirby builds      in a hunger that the Quartet will try to stop.
            Sue Storm, the Invisible Woman, in an elegant,
            melodramatic vein, translating the feminist       The zeitgeist of yesteryear that Shakman embraces
            demands of yesterday and today. Joseph Quinn      is a way for Marvel to regain the prestige that
            swallows every frame in which he appears under    has been lost with successive failures since «Thor:





                                                                                             METROPOLIS JULY 2025   143
   138   139   140   141   142   143   144   145   146   147   148