Page 111 - Metropolis Megazine No.120 International
P. 111

SYDNEY





            Sydney enters «The Bear» as a pro-  begins as a  functional alliance   It is in this unstable balance that
            mising young talent with her own   becomes a choreography of poor-  Sydney moves: between being in-
            ideas and a quiet admiration for   ly managed expectations. He    dispensable and feeling disposa-
            Carmy, whom she sees as a role   doesn't know how to communica-   ble,  between  taking  the  lead  and
            model.  But  as  she gets  closer to   te, and she gets tired of waiting.   protecting herself from burnout.
            the unstable structure of the res-  They both possess an obsession   She is not an emotionally repres-
            taurant and the power dynamics   with detail, rigour, and high stan-  sed figure like Carmy, but she also
            that exist there, admiration gives   dards, yet in Sydney, vulnerabili-  has nowhere to settle. Her stren-
            way to friction. Sydney is keen     ty accompanies these standards.   gth stems from instinct, sensiti-
            to learn, but not at any cost, and   She wants to be heard and res-  vity, and active listening, yet her
            the cost there is always emotio-  pected, to truly take on a leader-  constant state of alertness has a
            nal. Her place is not guaranteed:   ship role. She wants to be part of   cost. Sydney is not only a pillar of
            neither by merit nor by trust. Her   it, but without disappearing in   the kitchen; she is also one of its
            presence is essential, but it is not   the process. And even when she   loneliest figures. And the greatest
            always recognised as such.       shows  natural  authority  and  a   risk she faces may not be failure,
                                             rare ability to read the room, she   but losing herself in a space that
            The  relationship  with  Carmy  is   is never guaranteed control of the   demands so much that there is al-
            marked by growing tension: what   moment.                         most nothing left for her.








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