Page 95 - Metropolis Megazine nº118

BETWEEN FASCINATION AND
IMPRISONMENT

ghters is marked by conflicting “Sirens”, the new Netflix series, confront the less clear areas of
emotions. Genuine concern coe- dives headfirst into the dark human emotions.
xists with resentment stemming tangle of family relationships to
from his estrangement and silen- reveal a universe where power, At the centre of the plot is the
ce, a sentiment his daughters have manipulation, and affection in- complex relationship between
also expressed. This dynamic con- tertwine (and blur) in a tense and the DeWitt sisters and the enig-
tributes to the emotional weight unpredictable dance. In the Kell matic Michaela Kell. The trio of
of the series, showing how caring mansion, luxury and appearan- Devon, Simone, and Michaela
for someone can be both an act of ces hide a subtle psychological embody different sides of the
love and a confrontation with old game—obvious to the less com- same conflict: the struggle be-
wounds. His presence in the nar- mitted observer—where every tween autonomy and submis-
rative symbolises the weight of the gesture and word carries hidden sion, love and possession, and
past and the difficulty of reconci- meanings. The series does not truth and illusion. The strength
ling care and affection in a family limit itself to telling a story of of the narrative lies in its ability
marked by manipulation, internal control; it challenges the viewer to explore these dynamics with
conflicts, and unresolved trauma. to look beyond the surface and raw sensitivity, showing that so-

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