Page 58 - Metropolis Megazine nº118
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in  the  preparation stage.  And  that part   years earlier, when he was teaching ac-  actor had two scenes, period. I thought
            was delightful. Casting, choosing actors...   ting at ACT—the School of Actors. “I was   it was highly communist: everyone is a
            it's something I've loved doing for many   invited to supervise the third-year film. I   protagonist and a supporting actor at the
            years,” says the director.       quickly realised that the students were   same time.”
                                             concerned about who would play the
            Despite the logistical complexity of   lead role.” It was from this realization that   The method resulted in an intense but
            working with so many interpreters, he   he decided to subvert the traditional lo-  stimulating shooting schedule. “Despite
            says the process was marked by enthu-  gic of protagonism, creating a story whe-  being my most complex film, it was also
            siasm and lightheartedness. “It was a lot   re “everyone can be a main or secondary   the most peaceful. Each story was filmed
            of fun to bring these people together. I   character, depending on what they do   in two days. Even the technical team was
            only had two major concerns: finding the   with what they are given.”  enthusiastic because every day it felt like
            male actors who could sing—because                                we were making a new film. There was a
            I knew very few—and making sure that   The result was an educational exercise   constant change of sets and cast.”
            each story fit into the right time slot,” he   that ended up bringing one of the cour-
            shares.                          se projects – “O Amor é Lindo” [it means   In the end, Vicente Alves do Ó is proud of
                                             "Love is Beautiful"] – to the stage, which   how the team embraced the spirit of the
            The film was constructed using a chain   has now inspired the format of “Portu-  project: “This film was born out of an al-
            narrative structure, where each character   gueses". “I created a chain structure: A   most pedagogical attitude: to show that
            is linked to the next. This idea was born   meets B, B meets C, C meets D... Each   an actor is just as talented in a leading




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