Page 109 - Metropolis Megazine nº118
P. 109

ECHOES OF THE 70S IN A WORLD OF CORRUPTION
                                                     HBO MAX



            Jim is not your typical charismatic   mate, almost desperate conviction   power of the environment, the ac-
            antihero. He is a worn-out man,   that something has to change. The   cumulated tension, and the inter-
            driven more by survival than any   dynamic between the two is never   nal complexity of the characters.
            desire for redemption. His eyes   reduced to the formula of “happy
            reveal the fatigue of someone who   encounters”: it is a forced partner-  The series doesn't need speeches
            has  lost  too  much  to  believe  in   ship,  uncomfortable and  full  of   to make social critiques. It simply
            change. Unlike so many similar   gray areas, where trust is an unsta-  shows the system from the insi-
            characters in the genre, Jim has no   ble currency and empathy, when it   de. This subtlety is where much of
            grand speeches or moments of glo-  arises, is the result of shared pain.  the series' strength lies: instead of
            ry. His heroism, when it emerges, is                              pointing fingers, it exposes reali-
            reluctant, almost accidental, as if it   There are episodes in which the ac-  ties through narrative choices and
            were  just another mistake in  the   tion seems suspended, as if the se-  characters who carry the weight
            moral confusion in which he lives.  ries were asking the viewer to brea-  of a world without easy answers.
                                             the and absorb. For some, this may   In the end, “Duster” is not  just a
            Nina, on the other hand, far from   sound slow; for others, it is an in-  story about crime or escape; it is
            the image of a relentless federal   vitation  to  contemplate  a morally   about survival in a setting where
            agent, reveals herself to be vulne-  ambiguous world. The fact is that   the line between justice and moral
            rable  and  determined,  balancing   “Duster” is in no hurry to resolve   compromise has been blurred. And
            idealism and pragmatism. Her de-  conflicts or present constant twis-  this ambiguity is perhaps the most
            termination does not come from a   ts and turns. This narrative choice   accurate portrayal of the era it seeks
            thirst for power, but from an inti-  reveals a confidence rooted in the   to evoke.



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