Page 77 - Metropolis Magazine nº115
P. 77

French painter, to allow the     the narrative, we witness        and recognition, especially in post-
            audience to imagine his figure.   the embodiment of Gauguin       colonial studies and ethnology.
            Here, the colonial context or the   by Segalen— an “osmosis”      Both directors agreed that “Off the
            relationship between the French   between Segalen and Gauguin,    Beaten Track” can contribute to
            colonizers and the natives of Tahiti   incorporating aspects of the   Segalen's recognition and promote
            is presented at the opening of the   latter's life and art into the young   the appreciation of diversity in
            film, highlighting the imposition   Frenchman's stay and career in the   times of fomenting hatred and
            of French culture on the natives.   French Polynesian archipelago.   mistrust. To close, the confession
            There was also talk of the shoot   Decisive is the relationship that   of the project's author, Hugo Vieria
            in Tahiti and its challenges: for   the French painter established   da Silva, a talent who has already
            health reasons, director Hugo    with nature, defending the escape   left us, “Body Rice” (2006), “Swans”
            Vieira da Silva had to accompany   from exoticism and portraying the   (2011), and “An Outpost of
            the filming from a distance, which   nature of Tahiti realistically and in   Progress” (2016): “Off the Beaten
            was taken over by director Paulo   line with Segalen's later criticism   Track” has faced serious difficulties
            MilHomens. The participation of   of traditional exoticism—the    in international distribution due
            many locals and the need to adapt   obsessive and ignorant pursuit of   to the cancel culture surrounding
            sets due to natural conditions were   the exotic by mass tourism. In the   the figure of Paul Gauguin, leading
            challenges for the production, and   end, we discussed the dramatic   to this work being “diplomatically”
            Paulo MilHomens recounted a      fate of both: while Gauguin became   removed from the selection
            difficult and complex episode for   a celebrated figure, Segalen went   committees of festivals around the
            the team to overcome. Throughout   on to gain admirers and followers   world.





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